一缕悠长的箫声穿透晦暗的灯光,秸秆和沙土营造出的空灵诗意的舞台模糊了时空。随着箫笛呜咽,传来声声吟诵“北冥有鱼,其名为鲲。鲲之大不知其几千里也……”庄先生的扮演者在观众面前悠然穿上白色相麻长袍,则是两千年前还没有被后人奉为神话的年轻庄周;脱去长袍、戴上黑框眼镜,则成为郁郁不得志的现代副教授庄生。剧中多重时空交错,古代、当代、现实、梦境互相勾连自由变换,仿佛人物的灵魂穿梭于亘古长空去寻求某个解释;而演员既是剧中人,又是真实存在的当代人,理智地注视着两个时空。那些苦恼、那 A long ray of sound through the dull lights, stalks and sand to create the ethereal poetic stage blurred space-time. As Xiao Xi whimpered, came voice chanting “Northern Ming fish, its name Kun. Kun big I do not know its thousands of miles also ...... ” Zhuang actor in the audience leisurely wear white phase Hemp robe, is a young Zhuang Zhou two thousand years ago has not been myth of descendants; take off the robe, wearing black-rimmed glasses, then became a frustrated modern associate professor Zhuangsheng. The multiple time-space interlaces in the play, the ancient, the contemporary, the reality, and the dream are interconnected with each other freely, as if the souls of the characters shuttle through the ages and seek some explanation. However, the actors are both the play and the real contemporary, Two time and space. Those distressed, that