本文以《猎人已死》与《傍晚的牝鹿》为比较文本,探讨了两部作品的异同。劳伦斯和波·宝音贺希格将人与鹿的互视作为全诗的转折点,并在人与鹿的互融中颠覆了“人类中心主义”。不同的是,前者将两性之间和人与自然之间的和谐关系融合在一起,后者则以死亡的方式将人与自然的对立转化为人与自然的一体。 This article discusses the similarities and differences between the two works based on the comparative text “Hunter is Dead” and “Deer in the Evening”. Lawrence and Bo Bao Hehe Hege put the mutual recognition of man and deer as the turning point of the poem and subverted “anthropocentrism” in the interaction between man and deer. The difference is that the former integrates the harmonious relations between the sexes and between man and nature, while the latter transforms the confrontation between man and nature into the relationship between man and nature by means of death.