爱伦·坡的诗歌一方面给读者呈现了令人恶心的死亡景观,另一方面又指引着读者追寻虚灵真实的希望。他对美的神往及对死亡的眷注,将死亡意识深深地铭刻成诗句,从而引发了读者对死亡的形而上思考。本文旨在通过分析爱伦·坡对语言艺术的审美品位,初步探讨其诗歌创作理论。 Pointing Poe’s poem, on the one hand, presents the disgusting landscape of death to the reader, on the other hand guides the reader to seek out the real hope of vainness. His fascination with the United States and his concern for death profoundly inscribed the sense of death into poetry, which triggered the readers’ metaphysical thinking about death. The purpose of this paper is to analyze Allan Poe’s aesthetic taste of language art and to explore its theory of poetry creation.