在中国人的观念里,“门”与“家”、与“国”的概念联系在一起,担负着重要的安全职责。人们在门上附加种种符号,如贴门神、挂八卦、立石敢当等等,以期求福避祸。门神画在诸朝历代画师的苦心演绎下,历经千年,于驱邪的本意外,成为民间艺术的一个门类。 In the Chinese concept, “door” and “home” are linked with the concept of “state” and assume important security responsibilities. People in the door attached to a variety of symbols, such as posted God, hanging gossip, stand stone and so on, in order to seek blessing from disaster. Under the painstaking deduction of the painters in the Dynasties and the past, the Ganesh painting became a category of folk art after thousands of years of unexpected exorcism.