北宋后期不仅是诗坛佳作迭出的时期,同时也是诗学理论进一步发展,评诗论诗之作大量涌现的时期。在这一时期活跃于诗坛的众多作家当中,苏门诸弟子是其中当之无愧的主角。以往学者在论及这一时期的诗歌创作及诗学理论批评时,其关注点往往放在黄庭坚及受其影响的江西诗派上,对于由初学者由师法东坡向师法黄庭坚及后来的江西诗派过渡这一过程则缺乏应有的关注;作为苏门弟子的代表人物之一,李之仪的诗学理论恰恰体现了这种 The late Northern Song Dynasty was not only a period in which poetry was superb, but also a period in which the theory of poetry developed further and the number of poems on poetry exploded. Among the many writers who are active in the poetry circle during this period, Sumen disciples are one of the most well-deserved protagonists. In the past, when scholars discussed the poetic writing and poetic theory criticism of this period, their focus was on Huang Tingjian and the Jiangxi poetics influenced by them. For the beginners, The transition of Jiangxi Poetic School lacks the due attention; as one of the representatives of Sumen disciples, Li Zhi’s poetic theory precisely reflects this