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地藏十王信仰自唐末以来就广泛传播于民间,流风余韵影响至今。对地藏十王信仰及图像的研究,长期以来一直是佛教和佛教艺术领域的一个重要课题。国内外学术界对地藏十王图像的研究取得了不少成绩,或对与地藏十王信仰有关的经典进行了系统梳理,或对敦煌壁画、绢画等实物进行了整理和分析,或对个别图像的内容、性质和年代进行了研究。这些研究大致可分为两个阶段,第一阶段为20世纪30~70年代,研究者多
Since the end of the Tang Dynasty, the kings’ possession of the ten kings has spread widely among the people. The study of the kings’ beliefs and images of the kings has long been an important topic in the Buddhist and Buddhist art fields. The domestic and foreign academic circles have made many achievements in the study of the images of the ten kings in Tibet, systematically sorted out the classics related to the ten kings’ belief in Tibet, sorted out and analyzed the real materials of Dunhuang murals, silk paintings, etc., or The content, nature and age of individual images have been studied. These studies can be roughly divided into two stages, the first stage of the 20th century, 30 to 70 years, many researchers