每一部影片的导演,他们的精力往往多放在主要角色上(当然不是绝对的),对次要角色和群众演员的处理工作,常常是交给导演助理或副导演去完成。这样做,是不是说一部影片的完成,只有主要角色、主要演员才是重要的,群众角色和群众演员就不怎么重要呢?我看,并不能得出这样的结论。有句老话,“牡丹虽好,还得绿叶扶持”,一部影片中的主要角色和群众角色,他们的关系也好比花和叶,都一样的重要。不能设想,一部影片如果从头到尾只有几个主要角色在活动,没有前景和后景的群众演员来烘托陪衬,会是一种什么情景。一部影片中,群众演员选择得合适不合适,群众场面组织得好不好,对影片的艺术质量来说是极其重要的。要生动地塑造出影片中的群象,一定要有生活基础,不能凭空捏造。有了生活基础,组织拍摄的群众 Each film’s director, their energy is often more on the main role (of course not absolute), the secondary roles and extras to deal with the work, often to the director assistant or deputy director to complete. This is not to say that the completion of a film, only the main role, the main actor is important, the mass role and extras are not very important? I think, can not come to such a conclusion. There is an old saying that “although the peony is good, it has to be supported by green leaves.” The major roles and the mass roles in a film are as important as the relations between flowers and leaves. It can not be imagined that if a film has only a few main characters active from beginning to end, the extras and foreigners with no prospects and backstories will serve as foil to the situation. In a film, the extras chosen by the masses are unsuitable and the mass organizations are well organized, which is extremely important to the artistic quality of the film. To vividly create a group of videos in the film, we must have a foundation of life and can not create anything out of thin air. With the foundation of life, the organization shoots the masses