自从法国画家达盖尔在法国科学院大厅展出他发明的世界上第一张“银版法”照片以来,摄影技术就以这种逼真地再现客观事物的特性引起人们广泛的兴趣和重视。这种逼真地再现客观事物的性能,被人们称之为新闻摄影的纪实性,得到摄影理论界的公认。新闻摄影纪实性的含义是什么?怎样看待许多新闻照片中出现的对“纪实”的“变异”现象?在摄影报道实践中如何掌握“纪实”与“变异”的关系?这是新闻摄影理论工作者应该深入探讨和回答的重要问题。 Since the French artist Daguerre showed his first “silver version” of photos in the world in the lobby of the French Academy of Sciences, photography has drawn much interest and attention in this vivid way of reproducing objective things. This vivid reproduction of the performance of objective things, people call it the reality of the news photography, photographic theorists recognized. What is the real meaning of news photography? How to treat the phenomenon of “variation” of “documentary” appearing in many news photographs? How to grasp the relationship between “documentary” and “variation” in the practice of photography? This is the work of news photography theory Should be discussed in depth and answer important questions.