传统的限制从某种意义上讲,传统赋予给我们的越多,限制也就越多。中国画历经千年演变,形式法则早已健全。现代人尴尬地重复着被解构得体无完肤的笔墨体系,说创新,说发展,却往往事与愿违,导致的结果就是中国画在很大程度上被导回了原来的意义领域,它的现代性事实上并没有最大限度地凸显出来。意义的生成离开实践背景的实践只是体力活。《爱莲说》虽然只是我某一时段、某一理念的实践载体,但它忠实于我的内心, The traditional restrictions In a sense, the more traditions give us, the more restrictions. After thousands of years of Chinese painting evolution, the form law has long been sound. Modern people embarrassedly repeat the deconstruction of the pen and ink system, saying that innovation and development are often contrary to expectations. The result is that Chinese painting has been largely reverted to its original meaning. Its modernity is, in fact, Not highlighted to the maximum. The generation of meaning is a physical activity that leaves the context of practice. "Ailian said that although it is only a certain period of time and practice of a philosophy, it is true to my heart,