在近代开展起来的目连戏研究中,一直存在着两个死角:一,全国各个地区的目连戏,其内容和表演形式不尽相同,有些甚至与郑之珍《目连救母劝善记》差别甚大。那么,其剧本的源头,除了追溯到郑本以外,是否还有其它的并列源?近来虽然有一些学者作了猜测,但并没有提供文献资料方面的证据。二,近代昆曲和许多高腔剧种演唱的剧目里都有〈思凡〉和〈下山〉两出著名的单折戏,其它许多地方戏也有相同的剧目,说明尼姑和尚双下山这一题材内容的影响广远。它们究竟渊源于何 There are always two dead ends in the study of the Mulan drama developed in modern times. First, the Mulan opera in different parts of the country is different in content and performance style. Some even even talked to Zheng Zhizhen, Very different. So, the source of the script, in addition to dating back to Zheng outside, whether there are other sources of parallel? Recently, although some scholars have made speculation, but did not provide evidence of the literature. Second, the modern opera and many cavalry operas singing both the and two famous single-fold play, and many other local operas have the same repertoire, indicating that the nun monks double down the subject matter of the content of the impact far. Where did they come from?