论文部分内容阅读
本文第一部分说明诗不假言说,而趋于沉默。意象显现(show)而非明言(tell),因而语言充满稠密度,进而拓展读者的想象空间。诗不只是现实的反映,而更是积极的反映。但反映并非言说与呼喊,因为诗不是陈情书,也非口号。诗人的职责在陈述(describe),而非开药方(prescribe)。论文进一步说明意象不是理念的化身,书写者或是哲学家不仅无法将意象套入理念的框架,意象且经常从既有的理念中逸走。意象能使抽象的理念具象化,因而使书写有了生命的轮廓,不论中西传统,诗因为书写意象,因而也书写了诗性的存有。本文第二部分以台湾《吹鼓吹诗论坛》的“无意象诗”专辑为例,指出形象也可能是意象,意象的根源不一定是形体,标题是文本重要的一部分,虽然诗行中没有意象但题目的意象也已经自我解构所谓的“无意象诗”。本文的结论是,大多数的无意象诗诗质匮缺,诗质较为浓密的“无意象诗”经常寄居于“意象的幻影”里。有些诗擅长谈玄说理,但去除意象的哲思,和哲学相比,其深度总让人另有期待。
The first part of this article shows that the poem does not pretend to be silent but tends to be silent. The image shows (show) rather than (tell), so the language is full of density, and then expand the reader’s imagination. Poetry is not just a reflection of reality, but a positive reflection. However, it is not a matter of saying or shouting because poetry is not a love affair but also a slogan. The poet’s job is to describe rather than prescribe. The essay further illustrates that imagery is not an incarnation of the concept. The writer or philosopher not only can not fit the image into the frame of the concept, the imagery, and often escapes from the existing concept. Imagination can abstract the idea of abstraction, so that writing has the outline of life, regardless of the traditional Chinese and Western poetry because of the writing of images, and thus also wrote a poetic existence. In the second part of this paper, taking Taiwan’s “Unconscious Poems” as an example, it points out that the image may also be an image. The origin of the image is not necessarily the form, and the title is an important part of the text. Although the poems Imagery without the image but subject matter has also self-deconstructed so-called “no imagery ”. The conclusion of this essay is that most of the poems with no intentional poems are lacking, and poetic poetic poems often reside in the illusion of images. Some poems are good at talking about mystification, but the philosophical thinking of removing images is always compared with that of philosophy.