胜利者的喜悦——就《特急警报333》访导演毛玉勤

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(一) 党员导演的职责流迅、明吉“首先是党员,然后才是艺术家。”这是峨眉电影制片厂导演毛玉勤的自勉语。它道出了一个党员电影工作者高度的无产阶级党性。的确,从他曾经导演过的《神圣的使命》、《姑娘的心愿》以及刚导演出的《特急警报333》三部影片来看,无一部没正面塑造共产主义战士的高大形象。《神》片中的王公伯为了维护社会主义法制而英勇献身;《姑》片中的卫之华为了攻克癌症忘我工作,最后自己被癌症夺去了生命;《特》片中的郑驰等共产党干部,在百年罕见的特大洪灾中与人民同命运、共患难,为人民奔波忙碌,克己奉 (A) The responsibility of the director of the party flow quickly, Ming Ji “first party members, then the artist.” This is Emei Studio director Maoyu Qin’s self-wording. It shows the high degree of proletarian party nature of a party filmmaker. Indeed, judging from the three sacred missions he has ever directed and the “girl’s wish” and the “critical alert” 333 directed by the director, none of them have positively shaped the tall image of communist fighters. Wang Gongbo in the “God” film was bravely devoted to safeguarding the socialist legal system; Wei Wei, a film from “Gu”, took over the work of cancer self-sacrifice and eventually claimed his life by cancer; Zheng Chi et al Communist Party cadres share the same fate and sufferings as the people in rare and extraordinary floods of a century,
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