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从庄子的超越,孟子的担当,到司马迁的跌宕恣肆,先贤大家曾以笔墨神采、妙文佳构,伫立不朽的文章传统,或以载道、抒情,或以论理、写意,笔底斑斓,气象万千。如今,五光十色的时代激荡着写作者的情思,易写难工的散文成为最蓬勃的文体,然而抒情有余、智性不足正成为散文新的牢笼。接续散文的传统,传承从白话文运动至今对文体的自觉追求,将散文文体变革推向历史的潮头,正成为当务之急。让我们随学者孙郁一起寻访中国散文的智性之光,以利散文从抒情小品拓展为智性大品,从审美为主到兼备审美与审智,辟出别开生面的艺术格局。
From Chuang Tzu’s transcendence, Mencius’s responsibility, to Sima Qian’s ups and downs, the sages have all used the demeanor, the wonderful text and the fine arts, standing immortal article tradition, or to carry, lyrical, or reason, freehand brushwork, glittering, Meteorological. Nowadays, the colorful times have stirred up the writer’s emotions and the easy-to-write essays become the most vigorous style. However, there are more lyrical and intellectual inadequacies becoming the new prison of prose. Following the tradition of prose, inheriting the conscious pursuit of style from the vernacular movement so far, pushing the revolution of prose style to the tide of history is now becoming a top priority. Let’s study the wisdom of Chinese essay together with Sun Yu, so that Eli’s essay can be extended from lyrical essay to intellectual essay. From aestheticism to both aesthetic and intellectual judgment, we should offer a distinctive artistic framework.