吴贻弓的电影之路还十分漫长,现在就进行充分的总结尚为时过早。但毫无疑问的是,无论是他的导演艺术,理论阐述还是事业管理,都已在当代中国电影史上留下了较深的历史刻痕。然而。要在这三方面作出详尽的述评,是一部专著的任务。这里,仅想就吴贻弓系列的运动轨迹、创作心态和审美理想等,谈一些个人的初步看法。迄今为止,吴贻弓导演的作品如下:《我们的小花猫》(短片,1979年):《巴山夜雨》(吴永刚任总 Wu Yi bow movie road is still very long, it is too early to make a full summary. However, there is no doubt that neither his directorial art nor his theory or career management has left a deep historical mark on the history of contemporary Chinese cinema. however. It is the task of a monograph to make exhaustive comments in these three areas. Here, I only want to talk about some of the initial observations of Wu Yi Gong’s series of movements, creative mentality and aesthetic ideal. So far, the director Wu Yi bow director’s works are as follows: “Our little cat” (short film, 1979): “Nightmare” (Wu Yonggang Ren total