“水性”在中国人的审美情感中具有非常重要的地位,在中国文化深层的审美感情中,水色的体悟和单色的偏好,是一直贯穿在艺术创作领域的。同时在现当代的文化语境下,如何正确理解艺术创作的本体问题、艺术创作的方法论、全球化大背景下的本土审美观的挖掘再创造都是十分紧迫的艺术问题。针对“水性审美”这一东方艺术情结,试图将东方艺术的造型哲学纳入世界基础造型的大舞台中。“水性素描”概念的提出和研究,是将 “Wateriness ” plays a very important role in the aesthetic feeling of Chinese people. In the deep aesthetic feeling of Chinese culture, the perception of aqua and the preference of monochrome are always permeated in the field of artistic creation. At the same time, how to correctly understand the noumenon of artistic creation, the methodology of artistic creation and the excavation and re-creation of the local aesthetic conception under the background of globalization in the contemporary cultural context are very urgent artistic issues. In response to the “aesthetic aesthetic of water”, this oriental art complex attempts to incorporate the oriental art philosophy into the big stage of the world’s basic modeling. “Waterborne sketch ” The concept of proposed and research is to be