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《诗创造》和《中国新诗》是40年代中国现代主义诗歌潮流中的两个重要刊物．围绕这两个杂志形成了一个现代主义诗歌流派──“中国新诗”派或“九叶诗派”．通过对这两个杂志的细读分析，作者认为，这两个刊物无论在理论倡导、诗歌译介及诗歌创作上，都体现出鲜明的现代主义取向。他们反思象征主义“浪漫感伤”和“脱离现实”等弊病，广泛借鉴里尔克、艾略特、奥顿等现代主义诗风：“从浩无涯的海洋转向凝重的山狱”，追求“雕塑般的凝静致远”，从而表现出中国新诗“坚定的成熟期的反映”。《诗创造》和《中国新诗》的现代主义取向代表了中国新诗现代化的要求和方向。
“Poetry Creation” and “Chinese New Poetry” are two important publications in the trend of Chinese modernist poetry in the 1940s. Around these two magazines formed a modernist school of poetry ─ ─ “Chinese New Poetry” school or “Nine Leaves School.” Through the detailed analysis of the two magazines, the author believes that these two publications reflect the distinctive modernist orientation in terms of theoretical advocacy, translation and introduction of poetry and poetry. Reflecting the ills of symbolism “romance sentiment” and “being out of reality”, they widely borrow modernist poetry styles such as Rilke, Eliot, Orton and others: “From the sea of endless horizon to the dignified mountain prison”, they pursue “sculpture So as to reflect the new Chinese poem ”the firm maturity period“. The modernist orientation of ”poetry creation“ and ”new Chinese poetry" represents the requirements and direction of the modernization of new Chinese poetry.