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随着客观现实的发展,戏曲舞台艺术的进一步改革的问题,已经成为当前戏剧工作中的中心问题而引起各方面的普遍重视了。中国戏剧家协会,为此专门召开了几次座谈会。在会上,引起了各方面不同意见的激烈争论。而这种争论,正如戏剧家协会的邀请书上说的:「不仅具有美学上和实践上的意义,也具有一般的思想上的意义」。我读了一九五四年十二月号的「戏剧报」,对老舍先生和吴祖光先生的某些发言,有些不同的看法。下面,我想根据他们的发言,谈谈我个人的一些不同的意见。
With the development of objective reality, the issue of further reform of the opera stage art has become the central issue in the current drama work, which has aroused widespread attention from all quarters. Chinese Dramatists Association, held several forums for this purpose. At the meeting, it aroused heated debates of various opinions. And this kind of argument, as the Dramatist Association’s letter of invitation states: “It is not only aesthetically and practically meaningful but also has a general ideological significance.” I read The Drama Newspaper of December 1954 and made some different opinions about some statements made by Mr. Lao She and Mr. Wu Zu Guang. Next, I would like to comment on some of my personal differences based on their speeches.