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人们对于韩少功的赞赏和批评,往往归因于其小说写作蕴含的三大言说矛盾:一是在言说文体上,跨体写作的先锋性与现代读物的大众性相结合;二是在言说方法上,叙述节制的理性化与思辨冲动的激情化神奇共生;三是在言说立场上,非文学性知识分子的批判性与文学知识分子的描述性此消彼长。这三大矛盾是韩少功小说的魅力源泉,也显示了韩少功及中国当代写作的困境。
People’s praise and criticism of Han Shaogong are often attributed to the three major narrative contradictions contained in his novels’ writing: one is that in a stylistic style, the avant-garde of cross-body writing is integrated with the mass of modern books; and the other is in the way of speaking , Narrating the rationalization of temperance and the magical symbiosis of the impulse of speculative impulses. Thirdly, from the standpoint of speech, the non-literary intellectual’s criticism and the literary intellectual’s descriptiveness have been exacerbated. These three major contradictions are the source of charm of Han Shaogong’s novels, and also show the plight of Han Shaogong and Chinese contemporary writing.