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时下,书法圈内外许多人士经常谈到一个问题:当代书法理论研究与书法创作脱节,理论严重滞后,当代书法理论不能指导当代书法创作。这一问题带有普遍性,经常都可在有关媒体中看到此类诘问。它一方面似乎在指责当代书法理论研究的不力,或者和书法创作联系不密切,理论研究无关痛痒。另一方面也似乎在指责当今书法教育(主要是研究生教育)道路的偏颇。当代书法理论人才不能直接为当今的书法创作提供支持。“书法研究”的当代价值已颇受质疑,当代书法理论研究真的无所作为吗?书法理论研究与创作为何在当
Nowadays, many people both inside and outside the calligraphy circle often talk about a problem: the research on contemporary calligraphy theory is out of touch with the calligraphy creation, the theory is seriously lagging behind, and the contemporary calligraphy theory can not guide the contemporary calligraphy creation. This issue is universal and often can be seen in the media. On the one hand, it seems to accuse the contemporary calligraphic theory of ineffectiveness, or its connection with calligraphy is not close, and theoretical research has nothing to do with it. On the other hand, it seems to be blaming the current path of calligraphy education (mainly postgraduate education). Contemporary calligraphers can not directly provide support for today’s calligraphy. “Calligraphy ” ’s contemporary value has been quite questioned, contemporary calligraphy theory really nothing? Why calligraphy theory research and creation when