“取其精华、去其糟粕”这八个字已是美术界多年来对待传统的一句口头禅了,作为一条原则也确实无可非议。但是它毕竟只是原则,在实际中不免失之空洞、笼统。其原因就在于我们无法一次性地判定“精华”与“糟粕”而分别送之于“天堂”或“地狱”,决定我们的“取”与“去”。 这里所说的传统,即是人们在通常意义上所指的 “Take its essence, to its dregs,” these eight words is the art world for many years to treat the traditional mantra, as a principle is indeed beyond reproach. But after all, it is only a principle, which in practice is inevitably empty and general. The reason is that we can not judge the “essence” and the “dross” at a time and send them to “paradise” or “hell” respectively to determine our “take” and “go”. The tradition here is what people refer to in the usual sense