张谦宜《絸斋诗谈》保留了其师杨师亮及其本人的诗说,其特点是以文法讲诗,或不免流于细碎,但也形成思理详密的长处,既长于阐释通行的诗学概念,也善于揭示诗作运用的技法,与王渔洋神韵论所代表的山东诗学主流殊为异趣,可以说是明代格调派到乾隆间沈德潜格调诗学的一个桥梁,是格调诗学在清初的守护者和承传者。 Zhang Qiangyi’s Poetry Talks in His Poems retain the poem of his teacher Yang Shiliang and his own, which is characterized by the fact that he or she can not explain the poem in grammar, but it also forms the essence of thinking in detail, which is both longer than that of poetics Concept, but also good at revealing the use of poetry techniques, and Wang Yuyang on behalf of the mainstream of Shandong poetry is very different from the mainstream, it can be said that the style of Ming Dynasty sent to Qianlong Qianlong style of poetic bridge, is the style of poetics in the early Qing Dynasty Guardian and successor.