在今年4月召开的第四届全国音乐美学学术讨论会上,部分与会学者接受了“音乐立美、审美”这样一对概念,并将其纳入到具体的理论陈述中来。在此,我们暂且不去讨论这些理论陈述中的观点正确与否,而单就“音乐立美、审美”这一对概念的使用谈几点尚不成熟的看法,与大家商榷。 At the Fourth National Symposium on Music Aesthetics held in April this year, some of the participating scholars accepted the concept of “beauty and aesthetic music,” and incorporated them into specific theoretical statements. Here, we will not discuss the correctness of the views expressed in these theoretical statements for the moment, but let us not discuss the not yet mature views on the use of the concept of “beauty of music and aesthetic beauty.”