在当前艺术舞台有两种风潮得到社会现实的有力助推,一是传统文化元素被强力地激活,二是,作为传统文化代表的历史文化英雄被重新塑造。这其中,不少作品简单地充当了意识形态的传声筒——这种遗憾我们经常会体验到,然而江西省话剧院推出的《遥远的乡土》却显然是一个可喜的收获,这是一部具有文化热度的史诗性力作,是一部从中华文化坐标中探寻伟大母亲文化价值和文化方位的厚重之作。近年来,不少塑造忠臣良将的戏在舞台上相当成功。但是比较起来,《遥远的乡土》仍然具有独特性,这种独特性并不是一个局部特征,而是整体的独 There are two kinds of tides in the current stage of the arts, which are greatly boosted by the social reality. First, elements of traditional culture are strongly activated. Secondly, historical and cultural heroes as representatives of traditional culture are reshaped. Many of these works simply acted as ideological soundtracks - we often experience this regret, but the “remote native place” introduced by the Jiangxi Provincial Theater is obviously a welcome harvest, The epic masterpiece of the heat of culture is a magnificent work of exploring the cultural value and cultural orientation of the great mother from the coordinates of Chinese culture. In recent years, quite a few operas that shaped loyal admirals have been quite successful on the stage. But in comparison, “far-away native land” still has its uniqueness. This uniqueness is not a partial feature but an overall one