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编者按:近几年,浙江话剧团有限公司异军突起,成为一股新势力。他们在艺术生产机制、营销机制、用人机制、分配机制、考核机制上做文章,取得刮目成绩。创作剧目从2009年的一年一部增加到每年五六部,演出逐年增加。2009年演出450场,票房收入312万元;2010年575场,演出收入387万元;2011年573场,票房收入711万元;2012年728场,票房收入755万元;2013年的800多场,票房收入800多万元。其中,新创剧目《谁主沉浮》斩获国家奖项,儿童剧《琪琪的红舞鞋》获全国儿童剧优秀剧目展演优秀剧目奖。这些数字和成绩证明了浙话人的勇气和胆识。为此,中国话研会于2013年底,在北京召开了新时期“浙话现象”研讨会,与会专家们对浙话的发展与成绩予以高度评价,提出了真知灼见。现将部分专家的发言整理刊发,以飨读者。
Editor’s note: In recent years, Zhejiang Repertory Theater Co., Ltd. has emerged as a new force. They made great achievements in art production mechanism, marketing mechanism, employment mechanism, distribution mechanism and assessment mechanism. The number of creative plays increased from one in 2009 to fifty-six in a year, and performances have been increasing year by year. 450 performances in 2009 and 3.12 million yuan at the box office; 575 shows in 2010 and 3.87 million yuan in performances; 573 games in 2011 with a box office revenue of 7.11 million yuan; 728 games in 2012 with a box office income of 7.55 million yuan; and over 800 in 2013 Field, box office revenue more than 800 million. Among them, the newly created drama “Who is the main ups and downs” won the national awards, children’s play “Kiki’s red shoes” won the national drama repertoire excellent play award. These figures and scores proved Zhe dialect of courage and courage. Therefore, at the end of 2013, the China Dialogue Conference held a seminar in Beijing in the new period with the phenomenon of “Zhe dialect”, and the participating experts spoke highly of the development and achievements of Zhe dialect and put forward their sincere opinions. Now some of the experts’ remarks published in order to readers.