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从戏台建筑形制来看,宋金元时期,戏台的形式极为简单,基本上为方形亭榭,面阔进深各一间,屋顶形制多为单檐歇山顶或十字歇山顶,梁架结构为简单的亭式扒梁结构。山西高平市王报村二郎庙内舞亭和侯马市牛村金大安二年(1210年)董明墓的砖雕仿木结构舞亭模型,均为单檐歇山顶。明代以后,随着古建筑营造技术的提高及地方经济实力的增强,戏台建筑形制日益完善,屋顶形式多样化,硬山顶和悬山顶也用于戏台建筑,但仍以十字歇山顶抬梁式构架的殿堂式建
From the stage architectural form of view, the Song, Jin and Yuan Dynasties, the stage form is extremely simple, basically a square pavilion, a wide noodle, roof shape mostly Dan Yan Xie Shanding or cross Xieshan Ding, beam structure for a simple kiosk Grilled beam structure. Shanxi Gaoping City, the village Erlang temple dance kiosks and Houma City Niu Cun Jin Daan two years (1210) Dong Ming tomb brick carving imitation wood structure kiosk models, are single-Yan Xie Shan Ding. After the Ming Dynasty, with the improvement of the technology of ancient buildings and the enhancement of local economic power, the architectural shape of the stage was improved day by day. The roof forms were diversified. The hard hilltops and the hanging hilltops were also used in the stage buildings. However, Temple built