本文论述了写意画的用意问题。通过有关意的概念在中国美学史上的几层含义说明主体之意的实现目的以及生活内容的主意和表现形式的立意两方面内容。突出了“意”既有客体形象,又有本体形式,且具有相对独立的审美价值。探讨了写意画用意的本质。 This article discusses the intention of freehand drawing. Through the meaning of the concept in the history of Chinese aesthetics of several layers of meaning to explain the purpose of the realization of the main purpose and content of life ideas and forms of expression in two aspects. It highlights the image of both the object and the object as well as the ontological form, and has relatively independent aesthetic value. Explores the essence of the meaning of freehand brushwork.