论文部分内容阅读
作为一名电影演员,到底要不要钻研表演的理论,在电影界似乎有两种不同的看法,有的同志认为一名电影演员,把戏演好就行了。也确实有不少演员,其中包括很有成就的演员,死了之后片言只字也没留下来,他们宝贵的创作经验也随之“碧落黄泉”了。这似乎是世界性的现象,只有俄罗斯例外。史坦尼斯拉夫斯基写了八百万字的表演理论,如加上别人论他的文章,恐怕就超过千万字了。在我国当年“一边倒”时期,全国表演艺术界是清一色的“史坦尼体系”。不
As a movie actor, whether or not to study performance theory in the movie industry seems to have two different views, some comrades think a movie actor, the theatrical well on the line. There are indeed a lot of actors, including highly accomplished actors. After they died, they did not stay any longer. Their valuable creative experience also followed. This seems to be a worldwide phenomenon, with the exception of Russia. Stanislavski wrote eight million words of performance theory, plus others on his article, I am afraid more than a million words. During the “one-sided” period in our country in the same year, the entire performing arts world was the “Steadini system.” Do not