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对于当代花鸟画的发展与创新,对于花鸟画所能承担的思想含量与表出形式等问题,一直萦绕而苦恼着花鸟画家们。多年来,人们为之苦苦寻觅,埋头探索,希望能找到一些理论的解答。本文试尝以艺术图式论的方法,对花鸟画作浅层的解析。图式(Scheme),简单解释为图象与样式。我国古代画坛早有“体”和“样”的称呼。古代的“体”、“样”与现代称呼的“图式”,我认为有几分相同。在近现代美术理论的探讨中,理论家们为了更简便地弄清美术的发生与发展,将画家对自然物象所作出归纳、
For the development and innovation of contemporary flower and bird painting, the questions about the content of the thought and the form of the flower and bird painting that they can bear have been haunting and annoyed flower and bird painters. Over the years, people have been searching for it, searching for something, hoping to find some theoretical solutions. This article tries to use the method of artistic schemata to analyze shallowly the flowers and birds paintings. Scheme (Scheme), a simple explanation for the image and style. Ancient Chinese painting has long been “body” and “style” of the call. The ancient “body”, “style” and the modern style of “schema”, I think somewhat the same. In the discussion of modern art theory, theorists in order to more easily understand the occurrence and development of art, the artist made a summary of natural phenomena,