梁启超在他的《欧游心踪录》中说:“学术者,天下公器也。”或许,作为体现个人权力话语的学术特质决定了它是一个时代文明进程中的参与者,而这种参与者就是一个具有公共意义的文明的怀疑者和建构者。换句话说,它扮演了一个公器者的文化角色。对于一个当代雕塑艺术家来说,一个具有时代特征的、具有人文情结的个人化的艺术表达,同样可以成为一个公器者 Liang Qichao said in his essay “Heart of the World”: “Academics, the world is also.” Perhaps, as a manifestation of the academic power of personal power discourse determines that it is a participant in the process of civilization of the times, and this The participants are the skeptics and builders of a civilized civilization of public significance. In other words, it plays a cultural role as a male. For a contemporary sculptor, a personalized art expression with the characteristics of the times and humanistic complex can also become an archetype