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我国的民族舞蹈品种繁多,蒙古族舞蹈作为少数民族舞蹈的典型代表,体系不仅完善,背后还蕴含着丰富的文化内涵。因此,其地位在我国民族舞蹈表演体系中有着极其重要的地位。道具筷子在蒙古族舞蹈表演中使用比较频繁,文化内涵也极为深厚,以此形成的筷子舞是蒙古族人民具有代表性的民间舞蹈之一。本文的研宄从筷子舞的起源与发展现状入手;通过对两部优秀的筷子舞《战魂》、《鄂尔多斯婚礼》的具体作品分析;从蒙古族舞蹈表演中道具筷子的文化内涵,并研宄蒙古族舞蹈表演中道具筷子的技巧运用的路径与方法。另外,本研宄尝试通过对这一系列问题的探讨,研宄蒙古族舞蹈的审美特征和文化内涵,为蒙古族筷子舞的传承和发展贡献微薄之力。
There are many kinds of national dance in our country. As the typical representative of ethnic minority dance, Mongolian dance is not only perfect, but also contains rich cultural connotation. Therefore, its status plays an extremely important role in the performance system of Chinese folk dance. Chopsticks in Mongolia dance performances more frequently used, the cultural connotation is also very deep, the formation of the chopstick dance is a representative of the Mongolian people’s folk dance. The research of this article starts from the origin and development of chopsticks dance. Through the analysis of the specific works of two excellent chopsticks dance “Soul Spirit” and “Ordos Wedding”; from the Mongolian dance performances props chopsticks cultural connotation, and research路 The path and method of using chopsticks in props of Mongolian dance performances. In addition, this research attempts to explore the series of questions, study the aesthetic characteristics and cultural connotation of Mongolian dance, and make contribution to the inheritance and development of Mongolian chopstick dance.