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二胡中所说的换把,是演奏者根据乐曲演奏技巧和情感的需要,使左手虎口在琴杆处上下来回移动的一种演奏方法。换把的特征是左手的虎口必须上下移动,只要虎口在琴杆上移动了位置,即使只移动了一个小二度,也算是换把;如果虎口在千金的位置保持不变,即使移动了小三度,也不是换把,而叫做伸指。演奏者对于它的掌握程度,直接影响到所演奏音乐的音准和音色,因此学习二胡时一定要注意练习换把,要熟练的掌握它,这样才能很好的运用到二胡演奏中。本研究以换把作为基本的理论基础,从换把的发展现状,换把的方式和特点以及换把时应注意的问题等几个方面做了细致,深刻的研究论述。重点突出换把在二胡演奏中的重要性。
Erhu said the change is the player according to the music playing skills and emotional needs, so that the left hand tiger’s mouth at the piano bar up and down a method of playing back and forth. Change the characteristics of the left hand is the tiger’s mouth must move up and down, as long as the tiger’s mouth on the piano pole moved position, even if only moved a minor degree, can be regarded as a change; if the tiger’s mouth in the daughter’s position remains unchanged, Degree, it is not for the change, and is called extension finger. The degree to which a player masters it directly affects the sound level and tone of the music playing. Therefore, when studying erhu, he must pay attention to practice change, master it, and use erhu well. In this study, we made a detailed and profound study on several aspects, such as changing the basic theory, changing the development status, changing the ways and characteristics, and changing the issues that should be paid attention to at the same time. Highlight the importance of changing in erhu performance.