汤显祖曾说:“一生四梦,得意处惟在牡丹。”《牡丹亭》是汤显祖的代表作,也是我国戏曲史上浪漫主义的杰作。戏中杜丽娘和柳梦梅两人一波三折的爱情故事可谓惊心动魄,巧妙迭出,无境不新,真堪千古矣!不过,你肯定没想到在这凄婉优美的曲调声中还夹杂着一种几乎绝迹的古老声腔,那便是明代风靡一时的海盐腔。海盐腔的由来,还得从明代说起。明代有位叫谭纶的抗倭名将。嘉靖年间,时为大司马的江西人谭纶在浙江为官。此时,正当“海盐腔”在南方最为 Tang Xianzu once said: “life is four dreams, proud place only in the peony. ” “Peony Pavilion” is the representative of Tang Xianzu, is also the masterpiece of Romanticism in the history of Chinese opera. Twilight in the play and Liu Mengmei two twists and turns of the love story can be described as soul-stirring, clever, endless, forever! However, you certainly did not expect that in this sad and beautiful melody with a kind of almost extinct ancient Acoustic cavity, that is the all-time sea salt chamber of the Ming Dynasty. The origin of the sea salt chamber, have to start from the Ming Dynasty. There is a Ming Ming Tan anti-Japanese star. Jiajing years, when the big Sima of Jiangxi Tan Lun in Zhejiang as an officer. At this point, just as “sea salt chamber” is the most in the south