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PReJUDICe results from ignorance. If I had not set foot in ethiopia, I would never have imagined the country has a long history and a splendid civilization. That’s because today’s highly developed mass media have made ethiopia synonymous to hunger, poverty, war and disaster. TV images and news photos invariably portray ethiopia as a country of malnourished people with vast expanses of waste land.
Museums provide the easiest access to a country’s culture and history. A two-story building with cement walls and a fenced courtyard in front, the National Museum of ethiopia is incredibly shabby. Before told what it is, you could mistake it for a hotel by the road. The inconspicuous museum, however, houses a huge number of relics that beguile the world. Someone joked that earnings from auctioning a single exhibit [from here] are enough to build a magnificent museum.
The most precious item in the museum’s collection is the fossilized remains of an early hominid named Lucy by Westerners. Representing 40 percent of the skeleton of a woman who lived 3.2 million years ago, they are the earliest human fossils unearthed to date. Lucy shows that despite its barren land, ethiopia is the origin of mankind, the cradle of human civilizations and the native place of human beings.
In the museum, there is an exclusive exhibition room for Lucy. Also on display in the room are human fossils dating back to more than 2 million, 1 million, 400,000 and 200,000 years ago. Visitors with a sense of history are bound to take a break in this small exhibition room, lost in thought and filled with reverence. In my opinion, this room, only several dozen square meters in size, serves as a shrine for all humanity that documents our long history and an ancestral temple of the big human family, which has 7 billion members today.
While in ethiopia, we were impressed by the ethiopians’ heartfelt pride. every member of modern society, no matter which part of the world he or she is from and no matter which ethnic group he or she belongs to, should pay tribute to the birthplace of mankind and those who have lived there to this day.
Worshipping ancestors is a deep-rooted Chinese tradition, which I believe is a virtue of our nation. The continuity of the Chinese civilization over the past several thousand years is partly attributed to the special importance the Chinese attach to remembering the past.
Moreover, I think as a nation with splendid culture, the Chinese can be more farsighted and have a broader vision when exploring their roots. Apart from paying homage under the giant pagoda tree in hongdong County, Shanxi Province, in the memorials of legendary emperors Yandi and huangdi and in Zhoukoudian caves on the outskirts of Beijing, they should go to Africa and ethiopia, which are home to the ancestor of our ancestors and where all human beings find their origins. People in modern society are supposed to recognize their shared cultural identity. As we move forward, reflections on the past can make us wiser, more at ease with ourselves and more confident and determined to go further.
A family should respect its ancestors, and a nation should prize its history. Likewise, mankind should venerate its place of origin. everybody should remember and cherish the place where he or she first came from. Ignorance and disrespect of history will lead to an uncertain future.
While patriotism does not require reasons, cultural confidence does.
The ethiopians take great delight in their 3,000-year-long civilization. When discussing culture with them, I often saw their eyes sparkle with pride - an expression that I will not forget. Patriotism is an instinct for those who have a motherland, just as it is in our nature to love our parents. But there are reasons for the cultural confidence of a person or a nation. The ethiopians’ confidence about their culture stems from their long history as well as their ancestors’remarkable cultural achievements and contributions to human civilizations.
The civilization of Aksum, the capital of the ancient empire of ethiopia, peaked in the first century B.C. Its flourishing economy, trade, architecture and art attracted numerous bureaucrats and merchants from the Mediterranean and the Arabian Peninsula. Aksum bears some resemblance to Xi’an, an ancient capital city of China. Unlike Xi’an, which remains a thriving metropolis, Aksum’s prosperity has long been consigned to history. Rubble and withered grass seen everywhere in the city can hardly remind visitors of its glorious past. Towering obelisks in the bleak ruins of ancient Aksum are the only signs of its historical civilization.
Obelisks, made of local granites, were the grave markers of Aksum residents. Varying in height from several meters to dozens of meters, they were all carved with single pieces of stone.
Gazing at the obelisks, I naturally thought of egypt’s pyramids and the Great Wall of China, all being symbols of the nations and their civilizations as well as tangible testaments to history. history and culture are two sides of the same coin. A nation passes down its history in the form of culture and preserves history in cultural symbols and heritage. Culture creates the most glittering ripples in the river of history. But it takes shape only with the passage of time and the accumulation of historical achievements. Therefore, when talking about history, we tend to use the phrase “history and culture.”history and culture are like lovers deeply attached to each other.
Archeologists said the Italians plundered the 24-meter-high obelisk in 1937. After persistent demands by the ethiopian Government and people for its return, it was handed back in 2005 and restored to its original place. The ethiopians’ just struggle protected the dignity of obelisks as well as their nation. We have reason to feel glad for them because they washed off a national stigma they had suffered with the return of the obelisk, which marked a cultural triumph in modern society.
In recent years, there have been frequent media reports about Greece, egypt and China urging Western countries to return looted artifacts. however, very few attempts have succeeded like ethiopia’s. A nation should pursue cultural development based on its own efforts, instead of through brutal seizure and plundering. While it is possible to get rich overnight materially, it is impossible to do so culturally. There can be no cultural upstarts. Robbers can take illegal possession of others’ wealth, but not others’ ideas and thoughts. A country can plunder the world’s treasures, but not another country’s history and culture.
Numerous ethnic groups in the world have vastly different etiquettes and customs. Some greet VIPs with flower bouquets, others with tea or wine. The Tanzanians welcome guests with colorful folk dances. I experienced their warm hospitality during my trip to the country. On airport lawns and in government compounds alike, we were deeply touched by spontaneous song and dance performances that immersed us in unique Tanzanian culture.
Like green and organic food much sought after by consumers nowadays, African dances are a form of “green art,” which is pure and free from “pollution.”
Like a river flowing from its source, art also has sources, which are people, life and nature. If it is confined to altars, palaces and a world dominated by the pursuit of fame and profits, art will lose its originality, simplicity and vitality. In other words, without the spontaneous flow of emotions, art will be reduced to flattery, empty and insincere shows, flirtations, absurdity and dullness.
In essence, art comes down to cultural expression of man’s views, emotions and inner feelings. Without emotions and spirit, presentations and skills have no artistic value. The quality of art is a muchdebated topic. Without sincerity, there is no quality to speak of. Art should be a faith, almost like a religion. The essence and quality of art should be in line with each other.
Some scholars said Africa is a “cultural desert.” But I think it is an oasis steeped in culture as well as a cultural treasure house. As a matter of fact, we can find African elements in the most avant-garde forms of art today, from the globally popular modern dance to stylish rapping. Many of the scholars who tend to be hypercritical of African culture have not closely examined Africa from a cultural perspective with a down-to-earth attitude. As a result, they are not in a position to make comments. Nobody is more qualified to speak about African culture than the Africans.
As I took a close look at African culture during my trip to Africa, I fell in love with African art. At the same time, I could not help wondering if the Africans like Chinese art.
It happened that while I was in Zimbabwe, an art troupe from China’s Zhejiang Province came to Africa as part of a cultural exchange program under the auspices of the Ministry of Culture. I watched their premiere show along with African friends in harare. The show featured traditional Chinese songs and dances, Chinese acrobatics and kungfu. I saw with my own eyes how Chinese art drove the African audience crazy.
The show took place in a newly completed church auditorium with more than 3,000 seats, all of which were packed with viewers. From the beginning to the end, applause, cheers and screams filled the place. It never occurred to me that an authentic show of Chinese culture and art could be such a big hit in Africa. Recently, there have been a lot of discussions about cultural confidence. In the harare auditorium, it was only natural for a Chinese to be overwhelmed by pride and confidence.
As an old saying goes, the more national characteristics a culture exhibits, the more global recognition it enjoys. National characteristics and distinctive appeal are the reasons for both our love of African art and the Africans’ fondness of Chinese art.
When speaking of cultural exchanges between China and the outside world, we naturally think of Zheng he’s westbound voyages 600 years ago. Zheng’s fleet embarked upon seven expeditions to the Indian Ocean, which the Chinese called the “Western Ocean,”and made several landings on the coast of east Africa. In the National Museum of Tanzania, the curator proudly displayed to us a few porcelain objects from the Ming Dynasty (1368-1644). We were told that they were brought to Africa by Zheng’s fleet. Although no longer intact, they are considered to be some of the museum’s greatest treasures. The African people regard Zheng as an envoy of peace and culture from China, and the porcelain pieces as exemplars of long-standing friendship and cultural exchanges between China and Africa.
Cultural exchange has to be two-way for the purpose of interaction and renewal. Of course there are clashes and even conflicts, but the final goals should be cultural diversity, development, and prosperity. Cultural diversity and cultural exchange are two concurrent trends, involving interaction and fusion. Clashes are inevitable yet necessary for they can give birth to inspiration and cultural innovations.
Museums provide the easiest access to a country’s culture and history. A two-story building with cement walls and a fenced courtyard in front, the National Museum of ethiopia is incredibly shabby. Before told what it is, you could mistake it for a hotel by the road. The inconspicuous museum, however, houses a huge number of relics that beguile the world. Someone joked that earnings from auctioning a single exhibit [from here] are enough to build a magnificent museum.
The most precious item in the museum’s collection is the fossilized remains of an early hominid named Lucy by Westerners. Representing 40 percent of the skeleton of a woman who lived 3.2 million years ago, they are the earliest human fossils unearthed to date. Lucy shows that despite its barren land, ethiopia is the origin of mankind, the cradle of human civilizations and the native place of human beings.
In the museum, there is an exclusive exhibition room for Lucy. Also on display in the room are human fossils dating back to more than 2 million, 1 million, 400,000 and 200,000 years ago. Visitors with a sense of history are bound to take a break in this small exhibition room, lost in thought and filled with reverence. In my opinion, this room, only several dozen square meters in size, serves as a shrine for all humanity that documents our long history and an ancestral temple of the big human family, which has 7 billion members today.
While in ethiopia, we were impressed by the ethiopians’ heartfelt pride. every member of modern society, no matter which part of the world he or she is from and no matter which ethnic group he or she belongs to, should pay tribute to the birthplace of mankind and those who have lived there to this day.
Worshipping ancestors is a deep-rooted Chinese tradition, which I believe is a virtue of our nation. The continuity of the Chinese civilization over the past several thousand years is partly attributed to the special importance the Chinese attach to remembering the past.
Moreover, I think as a nation with splendid culture, the Chinese can be more farsighted and have a broader vision when exploring their roots. Apart from paying homage under the giant pagoda tree in hongdong County, Shanxi Province, in the memorials of legendary emperors Yandi and huangdi and in Zhoukoudian caves on the outskirts of Beijing, they should go to Africa and ethiopia, which are home to the ancestor of our ancestors and where all human beings find their origins. People in modern society are supposed to recognize their shared cultural identity. As we move forward, reflections on the past can make us wiser, more at ease with ourselves and more confident and determined to go further.
A family should respect its ancestors, and a nation should prize its history. Likewise, mankind should venerate its place of origin. everybody should remember and cherish the place where he or she first came from. Ignorance and disrespect of history will lead to an uncertain future.
While patriotism does not require reasons, cultural confidence does.
The ethiopians take great delight in their 3,000-year-long civilization. When discussing culture with them, I often saw their eyes sparkle with pride - an expression that I will not forget. Patriotism is an instinct for those who have a motherland, just as it is in our nature to love our parents. But there are reasons for the cultural confidence of a person or a nation. The ethiopians’ confidence about their culture stems from their long history as well as their ancestors’remarkable cultural achievements and contributions to human civilizations.
The civilization of Aksum, the capital of the ancient empire of ethiopia, peaked in the first century B.C. Its flourishing economy, trade, architecture and art attracted numerous bureaucrats and merchants from the Mediterranean and the Arabian Peninsula. Aksum bears some resemblance to Xi’an, an ancient capital city of China. Unlike Xi’an, which remains a thriving metropolis, Aksum’s prosperity has long been consigned to history. Rubble and withered grass seen everywhere in the city can hardly remind visitors of its glorious past. Towering obelisks in the bleak ruins of ancient Aksum are the only signs of its historical civilization.
Obelisks, made of local granites, were the grave markers of Aksum residents. Varying in height from several meters to dozens of meters, they were all carved with single pieces of stone.
Gazing at the obelisks, I naturally thought of egypt’s pyramids and the Great Wall of China, all being symbols of the nations and their civilizations as well as tangible testaments to history. history and culture are two sides of the same coin. A nation passes down its history in the form of culture and preserves history in cultural symbols and heritage. Culture creates the most glittering ripples in the river of history. But it takes shape only with the passage of time and the accumulation of historical achievements. Therefore, when talking about history, we tend to use the phrase “history and culture.”history and culture are like lovers deeply attached to each other.
Archeologists said the Italians plundered the 24-meter-high obelisk in 1937. After persistent demands by the ethiopian Government and people for its return, it was handed back in 2005 and restored to its original place. The ethiopians’ just struggle protected the dignity of obelisks as well as their nation. We have reason to feel glad for them because they washed off a national stigma they had suffered with the return of the obelisk, which marked a cultural triumph in modern society.
In recent years, there have been frequent media reports about Greece, egypt and China urging Western countries to return looted artifacts. however, very few attempts have succeeded like ethiopia’s. A nation should pursue cultural development based on its own efforts, instead of through brutal seizure and plundering. While it is possible to get rich overnight materially, it is impossible to do so culturally. There can be no cultural upstarts. Robbers can take illegal possession of others’ wealth, but not others’ ideas and thoughts. A country can plunder the world’s treasures, but not another country’s history and culture.
Numerous ethnic groups in the world have vastly different etiquettes and customs. Some greet VIPs with flower bouquets, others with tea or wine. The Tanzanians welcome guests with colorful folk dances. I experienced their warm hospitality during my trip to the country. On airport lawns and in government compounds alike, we were deeply touched by spontaneous song and dance performances that immersed us in unique Tanzanian culture.
Like green and organic food much sought after by consumers nowadays, African dances are a form of “green art,” which is pure and free from “pollution.”
Like a river flowing from its source, art also has sources, which are people, life and nature. If it is confined to altars, palaces and a world dominated by the pursuit of fame and profits, art will lose its originality, simplicity and vitality. In other words, without the spontaneous flow of emotions, art will be reduced to flattery, empty and insincere shows, flirtations, absurdity and dullness.
In essence, art comes down to cultural expression of man’s views, emotions and inner feelings. Without emotions and spirit, presentations and skills have no artistic value. The quality of art is a muchdebated topic. Without sincerity, there is no quality to speak of. Art should be a faith, almost like a religion. The essence and quality of art should be in line with each other.
Some scholars said Africa is a “cultural desert.” But I think it is an oasis steeped in culture as well as a cultural treasure house. As a matter of fact, we can find African elements in the most avant-garde forms of art today, from the globally popular modern dance to stylish rapping. Many of the scholars who tend to be hypercritical of African culture have not closely examined Africa from a cultural perspective with a down-to-earth attitude. As a result, they are not in a position to make comments. Nobody is more qualified to speak about African culture than the Africans.
As I took a close look at African culture during my trip to Africa, I fell in love with African art. At the same time, I could not help wondering if the Africans like Chinese art.
It happened that while I was in Zimbabwe, an art troupe from China’s Zhejiang Province came to Africa as part of a cultural exchange program under the auspices of the Ministry of Culture. I watched their premiere show along with African friends in harare. The show featured traditional Chinese songs and dances, Chinese acrobatics and kungfu. I saw with my own eyes how Chinese art drove the African audience crazy.
The show took place in a newly completed church auditorium with more than 3,000 seats, all of which were packed with viewers. From the beginning to the end, applause, cheers and screams filled the place. It never occurred to me that an authentic show of Chinese culture and art could be such a big hit in Africa. Recently, there have been a lot of discussions about cultural confidence. In the harare auditorium, it was only natural for a Chinese to be overwhelmed by pride and confidence.
As an old saying goes, the more national characteristics a culture exhibits, the more global recognition it enjoys. National characteristics and distinctive appeal are the reasons for both our love of African art and the Africans’ fondness of Chinese art.
When speaking of cultural exchanges between China and the outside world, we naturally think of Zheng he’s westbound voyages 600 years ago. Zheng’s fleet embarked upon seven expeditions to the Indian Ocean, which the Chinese called the “Western Ocean,”and made several landings on the coast of east Africa. In the National Museum of Tanzania, the curator proudly displayed to us a few porcelain objects from the Ming Dynasty (1368-1644). We were told that they were brought to Africa by Zheng’s fleet. Although no longer intact, they are considered to be some of the museum’s greatest treasures. The African people regard Zheng as an envoy of peace and culture from China, and the porcelain pieces as exemplars of long-standing friendship and cultural exchanges between China and Africa.
Cultural exchange has to be two-way for the purpose of interaction and renewal. Of course there are clashes and even conflicts, but the final goals should be cultural diversity, development, and prosperity. Cultural diversity and cultural exchange are two concurrent trends, involving interaction and fusion. Clashes are inevitable yet necessary for they can give birth to inspiration and cultural innovations.