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《所罗门之歌》是一部以黑人男性为主人公的作品,但莫里森同时也在这部作品中刻画了一组栩栩如生、性格迥异的黑人女性形象。本文从黑人女性主义理论的视角出发,重点对其中一位女主人公哈加尔展开具体分析,剖析她的悲剧人生,进而揭示“种族主义内在化”对黑人妇女的精神毒害。旨在探讨白人女性的解放之路,即黑人女性必须摆脱白人价值观与审美观对自身的桎梏,重塑黑人女性独特的审美尺度与价值观念,最终才能获得自我价值并实现独立。
Song of Solomon is a black male-dominated work, but Morrison also portrayed a group of vivid black women with different personalities in this work. Based on the theory of black feminism, this article focuses on one of the heroines, Hajar, to analyze her tragedy life in detail and to reveal the mental poisoning of black women by “internalizing racism.” Aims to explore the liberation of white women, that is, black women must get rid of the whites of white values and aesthetic perceptions and reshape the unique aesthetic standards and values of black women and ultimately gain self-worth and independence.