京胡艺术走上舞台,进而成为独奏艺术,是京剧音乐博大精深,京胡艺术繁荣发展的历史必然。同时,也是历代京胡演奏家,师徒相承、不断继承发展的必然趋势。然而,首先把京胡从台侧推向舞台,从伴奏走向独奏的演奏家、革新家,则应称为开宗立派的一代音乐大师。著名京胡演奏家燕守平先 Jing-Hu art onto the stage, and then become a solo art, Beijing Opera is broad and profound, Jing-Hu art is bound to flourish. At the same time, it is also an inevitable trend of successive performers of Jingju, apprenticeship with disciples, inheritance and development. However, first of all, moving KYOH from the stage to the stage and the performers and innovators who went from accompaniment to solo should be called the grand masters of the founding generation. Famous Beijing Hu player Yan Shouping first