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今年暑假去湘西张家界作短期的民居调查,产生一些感想: 空间与仪式张家界民居大体上可分为进堂式和吊脚楼两类,进堂式入门有若干进处理不同的堂屋(图1);吊脚楼布局自由灵活(图2～4),均为木构。在进堂式民居中,为土家族祭祀和礼仪活动安排的多进堂屋是空间的主体。土家人要祭宗祖神灵、唱述创造人类世界的过程和祖先迁徙的经历……这些都反映在民居空间形式上,即传统的仪式作为一种“媒介”通过一系列变化的进堂这一特殊空间形式反映在建筑上,赋予建筑明显的民族特征和地方特征,“媒介”本身体现了传统文化(图1)。黑川纪章对日本文化有深入研究,他用“灰”来概括日本文化,
This summer vacation went to Zhangjiajie in western Hunan for short-term residential surveys, resulting in some impressions: Space and rituals Zhangjiajie houses can be roughly divided into two types, namely the entrance hall and the Diaojiao Building. There are several entrance halls to enter the hall to handle different halls (Fig. 1); Diaojiaolou The layout is free and flexible (Figures 2 to 4). Both are wooden structures. In the dwelling-style dwellings, multi-entry houses for Tujia rituals and ceremonial activities are the subject of space. The Tujia people had to worship the ancestral spirits of the ancestors, narrate the process of creating the human world, and experience the migration of ancestors... These are reflected in the spatial forms of the dwellings, that is, the traditional rituals as a “media” through a series of changes into the special The spatial form is reflected in the architecture, giving the building a distinct national and local character. The “media” itself embodies the traditional culture (Figure 1). Kurokawa Kisho had an in-depth study of Japanese culture. He used “gray” to summarize Japanese culture.