置身于全球文化工业的情境中,艺术如何担当起将沉沦的个体从物化的文化氛围中解放出来的重任,这是我们以及这个时代不得不面对的难题。正如尼采所言,“没有一个时代,人们对艺术谈论得如此之多,而尊重得如此之少。”当我们通过吴子林选编的这本《艺术终结论》,再次集中审视黑格尔、阿瑟·C.丹托等人的“艺术终结论”或是J.希利斯· In the context of the global cultural industry, how art should assume the important task of liberating the degraded individual from the materialized cultural atmosphere is a difficult one that we and this era have to face. As Nietzsche puts it, “There is no era where people talk so much about art with so little respect.” When we turn to this Hegelian end of art by Wu Zilin, we again focus on Hegel, Arthur C. Danto et al., “The End of Art,” or J. Hillis