将“标题音乐”这一术语(它在用词上有迷惑人的精确性)局限于固定定义的框架内,大概是困难甚至不可能的,因为与这个词相连的观念大部分是依赖于自十九世纪以来在“新德意志派”与其反对者之间的音乐派别之争中所完成的功能。这一概念的内涵通过标题性因素被确定下来。标题音乐的追随者更倾向于一种宽泛的定义,而怀疑论者偏好狭义的定义,因为出于辩护的目的,把象舒曼带有性格化标 It is probably difficult or impossible to limit the term “headline music”, which has the confusing accuracy of words, within the framework of a fixed definition, since the ideas associated with the word are mostly dependent on the self The function accomplished by the music faction between the “New Germany” and its opponents since the nineteenth century. The connotation of this concept is determined by the headline factor. Followers of title music are more inclined toward a broader definition, whereas skeptics prefer narrower definitions because, for defense purposes,