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在论文“第四舞台:通过奥冈神话直抵约鲁巴悲剧的根源”中,索因卡对约鲁巴传统悲剧的原型、实质、美学效果、约鲁巴玄学体系的意义及在现代戏剧舞台上如何表现等方面做了系统而深入的阐释。作为“第四空间”的第一位征服者,约鲁巴大神奥冈的神话是最初的悲剧。约鲁巴悲剧是对奥冈悲剧显示的宇宙冲突的反复上演,是一种“第四舞台”上的“仪式悲剧”。剧本《死亡与国王的侍从》是按照索因卡的悲剧观念进行创作的范本。
In the paper “The Fourth Stage: The Origin of the Tragedy in Yoruba Directly Across Ogung Myths,” Soyinka’s archetypal, substantive and aesthetic effect on the Yoruba traditional tragedy, the meaning of the Yoruba metaphysics system, Drama stage how to do a systematic and in-depth explanation. As the first conqueror of “Fourth Space ”, the myth of the Yogya God of Yoruba is the original tragedy. The Yoruba tragedy is a staged repetition of the cosmic conflict shown by the tragedy in the city of Ogun and a “tragedy of rituals” on the Fourth Stage. Script “death and kings attendants” is in accordance with the concept of the tragedy of Sojourn creative writing.