多元共生的诗歌创作格局1989年海子的自杀被很多评论家和诗人认为是一种象征,即诗歌的英雄时代已经终结,尤其是“90年代开始的‘散文化’现实,加速了诗歌‘边缘化’的进程,也使诗人与‘现实’之间的关系变得复杂起来。”因此,很多诗人开始“调整其写作姿态、想象方式、语言策略”(洪子诚《中国当代文学史》,北京大学出版社,2010.1,P420-421),希望能对诗歌的发展做出有益的探索,甚至在某种程度上引导或者 Multiple symbiotic poetic writing pattern Hai Zi’s suicide in 1989 was considered by many critics and poets as a symbol of the end of the heroic era of poetry, especially the “prose reality” that started in the 90’s accelerating the edge of poetry The process of “changing” also complicates the relationship between the poet and the ’reality.’ “Therefore, many poets began to” readjust their writing style, imagination and language strategy “(Hong Zicheng’s” History of Contemporary Chinese Literature " , Peking University Press, 2010.1, P420-421), hoping to make a useful exploration of the development of poetry, and even guide to some extent or