中国当代文学经过八十年代的高潮之后,商品经济的物质化大潮吸引了更多的关注目光,而更注重精神境界的纯文学从社会的中心被甩到了边缘,先前应运而生的大量的文学期刊也陷入了窘境,读者群的流失、发行量的下降、作品质量的下滑都成了文学杂志当前面临的大问题。文学杂志需要变革,需要突破重围,成了文学杂志和读者们的共同的期望。文学期刊对于大多数读者来说,是个失落的世界,不单发行量下降,而且主要是读者们对文学有隔膜,缺少认同感;对于大众来说,文学作品与生活现实有着距离,生活在如火如荼地进行着,人们的观念、思维方式,以及审美情趣都在发生着变化,而我们很多作品还停留在过去的题材和几十年如一日的形式上。文学杂志更是如此,很多杂志仍然是沿用 After the climax of the Chinese contemporary literature in the 1980s, the materialism tide of the commodity economy has attracted more attention, while pure literature, which focuses more on the spiritual realm, has been thrown from the center of society to the periphery. A large amount of literature Journals are also in a dilemma, the loss of readers, the circulation of the decline, the decline in the quality of works have become literary magazine currently facing major problems. Literary magazines need to change, need to break through captivity, has become the common expectations of literary magazines and readers. For most readers, literary periodicals are a lost world, not only in declining circulation, but also mainly because readers have a septum of literature and lack of identity; for the general public, literary works are far away from the realities of life and live in full swing There are changes in people’s attitudes, ways of thinking, and aesthetic tastes, and many of our works are still stuck in the old themes and decades-long forms. Literary magazines even more so, many magazines are still used