“唐卡”,是藏语译音,意为卷轴佛画,是藏传佛教特有的一种艺术形式。其种类主要有彩绘、刺绣、织锦、缂丝、堆绣、剪贴、版印及少量的珍珠唐卡、金属唐卡等。唐卡历史悠久,据史料记载在公元七世纪随智印度佛教的传播而开始绘制唐卡。但真正形成西藏自身的流派与风格则是公元十三世纪以后,主要为钦则、门则、嘎则三大流派,其中由山南门拉顿珠所创立的门则画派和后藏地区群英嘉措所后续的新门则(门萨)画派在公元十七世纪成为统领卫藏地区的画派,集中表现于布达拉宫的壁画绘制。唐卡在构图上,一般来讲,中央为主尊；上 “Thangka” is a transliteration of Tibetan language, meaning the scroll of the Buddha painting is an art form unique to Tibetan Buddhism. The main types of painting, embroidery, brocade, reeling, pile embroidery, cutting, printing and a small amount of pearl Thangka, metal Thangka. Thangka has a long history, according to historical records in the seventh century AD with the spread of Indian Buddhism began drawing Thangka. However, the real genre and style of Tibet itself are the three schools of Qin, Zemen and Gaze after the 13th century AD. Among them, the Menzheng School and the Post-Tibetan Region founded by Shannanmen Bratton Qunyingjiacuo follow-up of the new door (Mensa) School in the seventeenth century AD became the command of the territory of the painting school, concentrated in the Potala Palace, the wall painting. Thangka in the composition, in general, the Central Lord respect; on