《音乐世界》85年4期,刊载了郭延明同志《且说演唱姿态》一文。读后,对其中一些说法难以苟同。文章说:“时代发展到今天,音乐舞台上的‘八股气’也该扫一扫了!”并为“八股气”下了个定义:“两手相握。抱于胸前,或两臂下垂,一步不移地站着唱。”同时认为,只有那些“手握话筒,或上下走动,或摇头弹指,或手舞足蹈”……(自然包括:扭臀摆背。披发恍忽,矫揉造作地嘶声、嗲气、俗媚)的演唱姿态,“才能适应当代中国的生活节奏和当代中国人的审美心理。”说得赤裸些:目前音乐舞台上出现的港台“流行”演唱姿态,必然要取代“八股气”—— “Music World” 85 years 4, published Comrade Guo Yanming “and say a concert gesture” article. After reading it, I can hardly agree with some of them. The article said: “The times have evolved to the present day, and the” Qigun “on the music stage should also be swept away.” And for the definition of “Qiuguqi”: “Hold with both hands, hold on your chest, or hang on your arms , Stand still singing. ”At the same time, only those who“ hold the handset, or walk around, or shaking his head, or dancing ”... (Naturally include: turn around buttocks. , Flattery, vulgar) singing gesture, “can adapt to contemporary Chinese life rhythm and contemporary Chinese aesthetic psychology.” To put it naked: the current music scene appeared in Hong Kong and Taiwan “pop” concert stance, will inevitably replace “Eight gas” -