寓意剧(Parable Play)是德国剧作家布莱希特所创立的一种现代戏剧范式,一般用以指称《四川好人》与《高加索灰阑记》两部以充满寓言色彩的叙述方式、将道德问题作为作品辩证讨论核心的剧作。因《高加索灰阑记》一剧的创作灵感直接源自元杂剧《灰阑记》(全名《包待制智勘灰阑记》),故常被借来讨论布莱希特与中国文化的关系,但研究者往往更易倾向于论述布莱希特对中国文化的借鉴与吸收,而布莱希特对“寓意剧”作为一种戏剧范 Parable Play is a modern drama paradigm founded by the German dramatist Brecht. It is generally used to refer to the allegory narrative style of “Good Man in Sichuan” and “Caucasus” Problems as the core of the work dialectical discussion. The inspiration for the creation of “Caucasia Caucasus” was borrowed to discuss Brechtian’s and Chinese culture from the Yuan Dynasty drama “Gray Chalk” (full name) However, researchers tend to be more inclined to discuss Brecht’s reference and absorption of Chinese culture, and Brecht’s “drama” as a drama