如果将翻译作一番解构,可将它拆分成两个阶段:一是对原语的语言、语义、语段和篇章进行结构分析,并对文化、修辞、风格和意涵进行分析;二是对译语进行构建,包括对语义和句式择善从优,以及行文和风格的优化。很明显,其中只有约三分之一的工作与语言学直接相关,其他都属于语言审美,实际上与文化研究、语言审美和修辞学息息相关。本文通过俄汉科学翻译中的美学体现为例展开浅析。 If you deconstruct the translation, you can split it into two stages: one is to analyze the structure of the language, semantics, paragraphs and texts of the original language and analyze the culture, rhetoric, style and meaning; Is to build the target language, including the choice of semantic and syntactic preferences, as well as the optimization of style and style. Obviously, only about one-third of the work is directly related to linguistics, others belong to the language aesthetic, in fact, cultural studies, language aesthetics and rhetoric are closely related. This article analyzes the aesthetic embodiment of Russian-Chinese scientific translation as an example.