论文部分内容阅读
冯小刚的电影《我不是潘金莲》一出,它夺人眼球的圆形画幅,就引起了诸般讨论,从域外导演到中国文人画,从西洋镜的风俗小片儿到中国风情的私房小照,林林总总,煞是热闹。而这圆形画幅只让我想到一样:月亮门。月亮门的概念最早源于我的童年记忆。小时候住在北方乡下,月亮门是无从得见的。但有一年因为要翻修院墙,我父
Feng Xiaogang’s film “I am not Pan Jinlian” came out, it wins eye-catching circular format, aroused discussions of all kinds, from extraterritorial director to the Chinese literati painting, from a small piece of Western-style mirror to a small Chinese-style private photo , Forests, it is truly lively. And this circular frame only reminds me of the same: the moon door. The concept of the moon door originated in my childhood memories. A child living in the northern countryside, the moon door is impossible to see. But one year because of renovating the courtyard, my father