瓦季姆·列瓦诺夫是世纪之交俄罗斯“新戏剧”潮流的代表人物。通过他体裁广泛的戏剧作品,我们能够明确地体察到他对现代性带来的社会病痛和个人在其中遭受的困境的特别关照,以及他对俄罗斯人道主义文学传统的延续,这些特征都深刻地体现着列瓦诺夫在创作中所贯穿的生活的残酷性主题。本文以残酷性为内核,考察列瓦诺夫在不同体裁(传统形式戏剧与新戏剧)作品中的主题思想、人物类型、表现手段等方面的问题。 Vadim Levanov is representative of Russia’s “New Drama” trend at the turn of the century. Through his genre-wide dramatic productions, we can unequivocally perceive his special concern for the social pain and the plight of the individual in modernity as well as his continuation of the Russian tradition of humanitarian literature, all of which are profoundly Embodies the cruel theme of Levanov’s life as it runs through it. In this paper, cruelty is taken as the core to examine Levanov’s themes, characters and means of expression in the works of different genres (traditional forms of drama and new drama).