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景德镇官窑最早可追溯至元代,一直延续到清朝末年。在景德镇悠久的制瓷历史中,官窑占有举足轻重的地位,它不仅集中了大批的优秀工匠,而且在烧造中不惜工本,对提高景德镇的制瓷技术、瓷器质量,促进陶瓷文化的发展起到了非常重要的作用,直到科学技术飞速发展的今天,仍然有许多技术,许多领域无法逾越,官窑陶瓷的作用可见一斑。上帝死了,皇帝下台了,皇权对景德镇陶瓷的控制走向了更加自由发挥的年代,从明代嘉靖年间的官窑,早就开始了官搭民烧的生产状态,带动了民窑陶瓷技术的提高和审美水平的进步,同时也带来了民窑陶瓷在管理和质量要求上的高层次要求,这也就是历代民窑产品不可小觑的重要原因,大多数流传下来的民窑陶瓷无论从质量上,艺术水准上都是要求非常的高,这就留给我深深的思考:民窑魅力之大,要求水准之高,绝非是和官窑没有关系,虽然清朝末期官窑停烧,在民国时期也出现过类似的官窑瓷器,如洪宪瓷,蒋介石瓷,解放后的红色官窑瓷-7501瓷器,其实质还是官府投资委托生产性质,民窑的魅力又见一斑。进入到改革开放时期,景德镇青花陶瓷的发展何去何从?吃祖宗饭的有景德镇仿古瓷器,吃现代饭的有开放带来的现代陶艺,对中国传统陶瓷维系的大部分艺术创作者来说,都在做深刻的反思,既要发扬传统艺术的魅力,又要融入新时代的元素,在艺术领域的改革也在所难推,那就从最草根入手,对民间青花做深入的研究,相继出现了不少的研究成果,如新青花,现代民间青花理论。我在2002年提出并不断充实内容的新民间青花艺术论自然也在其中。相比较其他研究成果来说,我的新民间青花艺术论更加接地气,重传承,求创新,更易懂,好实践。本文就是把我的研究成果从通俗易懂的角度,致力于将景德镇青花陶瓷走向更本土,更国际,更新颖。
Jingdezhen Guan kiln can be traced back to the Yuan Dynasty, until the end of the Qing Dynasty. In the long history of porcelain making in Jingdezhen, the official kiln occupies a pivotal position. It not only concentrates a large number of excellent artisans, but also spares no efforts in firing to improve the quality of porcelain making and porcelain in Jingdezhen and promote the development of ceramic culture To a very important role, until the rapid development of science and technology today, there are still many technologies, many areas insurmountable, the role of kiln ceramics can be seen. God died, the emperor stepped down, the imperial power of Jingdezhen ceramic control to a more free play of the era, from the Ming Dynasty Jiajing years Guan kiln, officials began to start the production of state burning, led to improve the kiln ceramic technology And the aesthetic level of progress, but also brought civilian kiln ceramics in the management and quality requirements of the high-level requirements, which is the important cause of the ancient kiln products can not be underestimated, most of the handed down kiln ceramics in terms of quality On the art level are demanding very high, which left me deep thinking: the charm of the kiln, the high standard requires no relationship with the kiln, although the official kiln burning at the end of the Qing Dynasty, In the period of the Republic of China, similar porcelain kilns were also found, such as Hongxian porcelain, Jiang Jieshi porcelain, and the red kiln porcelain -7501 after the liberation. The essence of the porcelain was commissioned by the government and the charm of the kiln was also evident. Enter the reform and opening up, Jingdezhen blue and white porcelain development go? Eat ancestral dishes have Jingdezhen antique porcelain, eat modern food has brought open modern pottery, traditional Chinese ceramics to maintain the majority of art creators, are To do profound reflection, we must not only promote the charm of traditional art, but also incorporate the elements of the new era and the reforms in the field of art are also hard to push forward. From the most grassroots level, we have conducted in-depth research on folk blue and white flowers in succession A lot of research results, such as the new blue and white, modern folk blue and white theory. Of course, the new folklore of blue and white that I put forward in 2002 and constantly enriched the content is also among them. Compared to other research results, my new folk art of blue and white is more ground-breaking, re-transmission, innovation, easier to understand, good practice. This article is from my point of view of easy-to-understand research, is committed to Jingdezhen blue-and-white ceramics to a more local, more international, more novel.