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甄夫人的身世命运与孔融、刘祯、曹植等建安时代文学家均有关系，此文考述此问题，意在阐发建安文学盛衰绝续之因果。所谓建安文学，实际上是汉代文学最后之绝唱。曹操以汉丞相的名份，成为建安文学的倡导者；而其隐含的“魏武帝”本相，则成了建安文学的摧残者。文章进而论述甄夫人之死与《洛神赋》的创作两者之间的因缘关系，既批评历来所谓“君臣之义”说者的正统迂腐，亦批评指实“感甄”说者的庸陋，论文作者之意，是认为《洛神赋》的创作类似乎但丁的《神曲》，这是对所爱者超越世俗的精神上的景慕，并经历了从现实原型到理想女神的艺术上的飞跃。
The fate of Zhen’s life is related to Jian’an-era writers such as Kong Rong, Liu Zhen and Cao Zhi. This article examines this issue in order to elucidate the causal link between the rise and decline of Jian’an Literature. The so-called Jian’an literature is actually the ultimate solo song of the Han literature. Cao Cao became the advocate of Jian’an Literature by the name of the prime minister, while his implied “Wei Wudi ” has become the destruction of Jian’an Literature. The article further discusses the relationship between the death of Madame Chen and the creation of “Luo Shen Fu”, criticizes the orthodox pedantry which has always been called “the righteousness of the monarch and court” and also criticizes the theory of “Zhen Yan” The meanness of the author and the author of the essay mean that the creation of “Luo Shen Fu” is similar to Dante’s “Divine Comedy,” which is a spiritual admiration of the loved ones beyond the secular world and has gone through the transformation from the realistic prototype to the ideal goddess The art of leap.