京剧是中华民族的国萃,面对各类文化的冲击, 振兴京剧至为关键。而振兴首先应该是提高人们的认识与素质,是否也可以“从娃娃抓起”,请剧作者多给孩子写点戏,演出团体也多给孩子演些戏。 记得儿时酷爱京剧,在山东、江苏当童工时,曾溜进戏院看过两场“娃娃戏”。一是由田美玉(田中 Beijing Opera is a national essence of the Chinese nation. In the face of all kinds of cultural impact, revitalization of Beijing Opera is the key. The revitalization of the first should be to raise people’s awareness and quality, whether it can “grabbed from the baby,” please play writers to write more children’s play, the performance groups also play more to their children’s play. I remember childhood love Peking Opera, Shandong, Jiangsu, when child labor, had slipped into the theater saw two “doll drama.” One by Tian Mei Yu (Tanaka